Classes

Twentieth Century Literary Theory

Semester: 
Yearly
Offered: 
2023

MA course.

This course will serve as an introduction to and survey of contemporary critical theory. After tracing the development of seminal approaches to mimesis from ancient times to the present day, we will focus on theories of structuralism and poststructuralism that have shaped contemporary critical theory.

Horror: At the Margins of Subjectivity

Semester: 
Offered: 
2020
The course will combine a reading of canonical and popular fiction with psychoanalytic theory and philosophy to explore the intersection between horror and subjectivity. Horror's engagement with liminality will be seen as a path to the study of the concept of the subject and the attending fears of its dissolution.

20th Century English and American Novel

Semester: 
Offered: 
2019
The course aims to familiarize students with a range of twentieth century British and American novels. We will engage with a wide spectrum of cultural and literary traditions from High Modernism to Postmodernism and examine the unique articulations of these developments within the genre.

Twentieth Century Literary Theory

Semester: 
Offered: 
2016
We will read key texts of critical theory from the early to the late Twentieth Century, representative of Structuralism, Poststructuralism, Psychoanalysis, Feminism, New Historicism, Posthumanism and Disability Studies. The course is premised on the idea that theory informs each and every act of reading and interpretation. We will unravel and discuss the central tenets of each movement and the evolution of theoretical ideas throughout the century.

Landmarks of Criticism: From Plato to Nietzsche

Semester: 
Yearly
Offered: 
2015

The course aims to review some of the writings of key figures in the history of literary criticism in order to trace an evolution in the way literature has been defined, understood and evaluated from Plato to the present. We follow shifting attitudes towards representation, truth, reality, being, subjectivity, origin and copy, similarity and difference all contribute to changes in genre formation and the coordinates of literary appreciation. 

Modernism: Conrad

Semester: 
Yearly
Offered: 
2014
In the course of the semester we will engage in close readings of a number of canonical Conrad novels from Heart of Darkness to Under Western Eyes. The aim is to familiarize students with Conrad's unique idiom, to identify his stylistic innovations and to comment on their contribution to the formation of Modernist narrative.